1 00:00:52,720 --> 00:00:53,639 Hey, brother. 2 00:00:53,640 --> 00:00:56,300 Hey, man, let's do that scene again. Let's take it from the top. 3 00:00:56,760 --> 00:00:57,760 Yeah, okay. 4 00:00:59,320 --> 00:01:02,000 Othello, The Moor of Venice by William Shakespeare. 5 00:01:02,240 --> 00:01:04,280 No, not that far, man. Just do the scene. 6 00:01:04,780 --> 00:01:05,780 Oh, man. 7 00:01:06,400 --> 00:01:07,500 Oh, man. 8 00:01:08,340 --> 00:01:11,780 You shall close prisoner rest. 9 00:01:12,060 --> 00:01:14,920 To that nature of your fault be known to the Venetian state. 10 00:01:15,600 --> 00:01:16,940 Come, bring him away. 11 00:01:20,120 --> 00:01:21,120 Soft you. 12 00:01:21,580 --> 00:01:23,240 A word or two before you go. 13 00:01:23,960 --> 00:01:26,780 Now, I have done the state some service, and they know it. 14 00:01:27,120 --> 00:01:28,120 No more of that. 15 00:01:28,340 --> 00:01:32,420 I pray you in your letters, when these unlucky deeds you shall relate, speak of 16 00:01:32,420 --> 00:01:33,420 me as I am. 17 00:01:33,720 --> 00:01:38,420 Nothing extenuate, nor set down ought and malice. 18 00:01:39,120 --> 00:01:43,120 Speak of me as one that loved not wisely, but too well. 19 00:01:51,020 --> 00:01:53,840 make room for Lamont Samford, the new Othello. 20 00:01:54,280 --> 00:01:57,800 Hey, man, you're just lying. You're trying to make me feel good. Hey, man, 21 00:01:57,800 --> 00:02:00,040 I'm lying, I'm lying in my mama's home crying. 22 00:02:00,360 --> 00:02:04,860 You ain't been in the workshop but three weeks and you're almost as good as me 23 00:02:04,860 --> 00:02:08,080 already. Hey, man, we're going to turn this play out. I can feel it. 24 00:02:08,300 --> 00:02:12,580 Hey, Ronald, who knows what this might lead to, man? I mean, from a junkyard to 25 00:02:12,580 --> 00:02:16,420 a neighborhood theater to Broadway to my first motion picture. And back to the 26 00:02:16,420 --> 00:02:17,420 junkyard. 27 00:02:19,090 --> 00:02:20,430 I thought you said I was good. 28 00:02:21,110 --> 00:02:23,730 Hey, well, you're a good partner, but you ain't fantastic. 29 00:02:24,190 --> 00:02:25,610 I mean, you ain't Jim Brown. 30 00:02:26,410 --> 00:02:27,410 Well, 31 00:02:28,330 --> 00:02:30,790 I'm going to keep working on it, Raul. As a matter of fact, after school, 32 00:02:30,890 --> 00:02:33,810 Marilyn is going to come over here, and we're going to go, you know, do a few 33 00:02:33,810 --> 00:02:34,629 scenes together. 34 00:02:34,630 --> 00:02:35,630 Uh -oh. 35 00:02:35,970 --> 00:02:38,050 Now, how are you going to work that out with your father, Raul? 36 00:02:38,490 --> 00:02:40,330 Are you kidding, man? He ain't going to be around. 37 00:02:40,570 --> 00:02:41,750 How are you going to get him out of the house? 38 00:02:42,390 --> 00:02:45,670 Hey, maybe I tell him they're having a nudie film festival down in the 39 00:02:45,670 --> 00:02:46,670 neighborhood. 40 00:02:48,270 --> 00:02:50,290 right on. That ought to put wings on his own heels. 41 00:02:52,090 --> 00:02:54,110 Hey, well, looky, I'm getting a win, my man. 42 00:02:54,350 --> 00:02:56,650 Hey, come later. Go with me apart. 43 00:02:57,810 --> 00:03:01,910 I must withdraw to furnish me with some swift means of death for the fair devil. 44 00:03:02,490 --> 00:03:04,390 Now, art thou my lieutenant? 45 00:03:05,530 --> 00:03:07,610 I am your own forever, brother. 46 00:03:08,990 --> 00:03:09,990 Right on. 47 00:03:10,090 --> 00:03:11,090 Yeah. 48 00:03:12,410 --> 00:03:14,970 And would I be sure that this... 49 00:03:21,290 --> 00:03:22,168 Thanks, bud. 50 00:03:22,170 --> 00:03:27,890 Would all this be true if I didn't care for you? 51 00:03:28,850 --> 00:03:30,310 Bill, can you just hit that note? 52 00:03:31,130 --> 00:03:32,130 Hi, son. 53 00:03:32,170 --> 00:03:34,230 Hey, Pop, you're in a good mood tonight, man. What's up? 54 00:03:34,490 --> 00:03:37,050 Yeah, Lena Horne weekend on a 10 o 'clock movie. 55 00:03:39,090 --> 00:03:40,710 You're not expecting no company, are you? 56 00:03:41,070 --> 00:03:43,210 No, I'm not going to share the horn with nobody. 57 00:03:46,270 --> 00:03:49,790 Well, if the movie don't start till 10, how come you start so early? 58 00:03:50,220 --> 00:03:52,720 Well, see, at 8 .30, the creature feature starts. 59 00:03:53,540 --> 00:03:56,800 And Bubba told me, make sure I don't miss this one, because it's a good one. 60 00:03:56,940 --> 00:03:58,260 It's all about creatures and stuff, see? 61 00:03:58,520 --> 00:04:02,580 And Bubba told me not to miss it because it was a good one. It's called The Day 62 00:04:02,580 --> 00:04:03,720 of the Night Creeper. 63 00:04:04,460 --> 00:04:08,920 It's all about an army of big bugs surrounding Washington, D .C. 64 00:04:24,430 --> 00:04:25,430 toward the president. 65 00:04:30,850 --> 00:04:32,030 Yeah, that sounds terrific. 66 00:04:32,350 --> 00:04:36,150 Yeah, and that takes me right on up to 10 o 'clock when it's just me and the 67 00:04:36,150 --> 00:04:37,150 whore. Yes. 68 00:04:37,850 --> 00:04:38,850 You know something, Pop? 69 00:04:39,170 --> 00:04:42,190 Watching all that television, man, is bad for your eyes. You know what you 70 00:04:42,190 --> 00:04:45,430 should do? You should take a nice, long, leisurely walk out in the night air. 71 00:04:45,550 --> 00:04:46,550 You know, it'd be good for you. 72 00:04:46,730 --> 00:04:51,370 Yeah, out there in that nice, healthy smog and those friendly muggers. 73 00:04:53,320 --> 00:04:56,000 Hey, what's this all about? Why are you trying to get me out of the house? 74 00:04:56,220 --> 00:04:57,740 Hey, and don't turn on the TV yet, Pop. 75 00:04:58,080 --> 00:05:02,640 Okay, well, here's how it is. See, I'm expecting some company. In a few 76 00:05:02,680 --> 00:05:05,320 as a matter of fact. And, well, I don't want nobody around. You know what I 77 00:05:05,320 --> 00:05:06,219 mean? 78 00:05:06,220 --> 00:05:07,880 You mean female company? 79 00:05:08,180 --> 00:05:09,180 You got it. 80 00:05:09,600 --> 00:05:11,060 Well, you son of a gun. 81 00:05:12,580 --> 00:05:13,740 Chip off the old block. 82 00:05:14,240 --> 00:05:16,540 You mean you got some heavy action coming? 83 00:05:16,760 --> 00:05:19,920 Right, right. So, would you make yourself scarce, Pop? 84 00:05:20,560 --> 00:05:21,439 Wait a minute. 85 00:05:21,440 --> 00:05:22,440 Look here. 86 00:05:22,700 --> 00:05:25,360 Who's the lucky girl? Never mind who it is. Are you going? 87 00:05:26,680 --> 00:05:31,460 Listen, who is it? Is Jessie Mae's daughter Jackie Walsby? That girl with 88 00:05:31,460 --> 00:05:32,700 pretty legs and the big pop? 89 00:05:35,440 --> 00:05:38,700 No, look, it's not anybody that you know now. Would you please leave? I'm going. 90 00:05:38,760 --> 00:05:40,860 I mean, I have to have the house to myself once in a while. You have to say 91 00:05:40,860 --> 00:05:42,960 more. I'm going. Okay, thank you very much. I'll see you later. 92 00:05:45,160 --> 00:05:46,160 Hey. 93 00:05:48,500 --> 00:05:49,540 I ain't got nowhere to go. 94 00:05:53,450 --> 00:05:55,910 down to the bar and have a few beers and watch some TV down there. 95 00:05:56,990 --> 00:05:59,330 I was thinking about that, but I ain't got no money. 96 00:06:00,790 --> 00:06:01,729 All right. 97 00:06:01,730 --> 00:06:02,870 Here's a buck. Good night, Pop. 98 00:06:03,270 --> 00:06:05,390 Well, they got a $2 minimum down here. 99 00:06:07,610 --> 00:06:10,770 All right. Here you go. Good night. That's just to keep the lauderers out. 100 00:06:10,830 --> 00:06:14,190 Right. Good night, Pop. Now, listen. You want me to be gone about two hours, 101 00:06:14,230 --> 00:06:15,029 don't you? 102 00:06:15,030 --> 00:06:16,950 Well, this won't last but an hour. 103 00:06:20,610 --> 00:06:22,030 Okay, now. Good night, Pop. 104 00:06:25,290 --> 00:06:28,110 Say, give me another buck and it's a deal. 105 00:06:31,530 --> 00:06:32,530 See, I tips. 106 00:06:35,370 --> 00:06:40,130 And look, son, I'll be back at 10 o 'clock, so make sure that the premises 107 00:06:40,130 --> 00:06:41,910 been vacated. Good night, Mom. 108 00:06:42,210 --> 00:06:43,210 Good night. 109 00:06:44,390 --> 00:06:46,190 Is it crazy Herbert's daughter... 110 00:07:20,360 --> 00:07:21,279 Street, is it all right? 111 00:07:21,280 --> 00:07:22,700 This will be a first for this neighborhood. 112 00:07:23,060 --> 00:07:24,440 You mean my being in your house? 113 00:07:24,660 --> 00:07:27,020 No, your car being the first one on the block with hubcaps. 114 00:07:29,160 --> 00:07:31,080 Come on in. Make yourself at home. Thank you. 115 00:07:31,580 --> 00:07:35,220 Say, Marilyn, I really appreciate you coming over like this. I mean, you know, 116 00:07:35,220 --> 00:07:38,000 teaching school during the day and a workshop at night. You must be awfully 117 00:07:38,000 --> 00:07:41,660 tired. Oh, no. This is the fun part. I enjoy it. Oh, good. 118 00:07:41,880 --> 00:07:44,380 Say, would you like some refreshments? Potato chips? 119 00:07:44,780 --> 00:07:47,720 Pretzels? Father set this up for us and then he had to split. 120 00:07:47,940 --> 00:07:49,300 Most likely he's at the club. 121 00:07:50,070 --> 00:07:51,190 No, thank you. 122 00:07:51,630 --> 00:07:54,510 Hey, you have quite a collection here. 123 00:07:54,830 --> 00:07:57,010 Yeah, Papa and I have been working at it for a long time. 124 00:07:58,070 --> 00:07:59,270 But you know something, Marilyn? 125 00:08:00,250 --> 00:08:02,110 My heart's not really in the business. 126 00:08:02,530 --> 00:08:06,930 I mean, I've always felt that I was cut out for something in the arts. 127 00:08:07,310 --> 00:08:08,470 You mean acting? 128 00:08:08,930 --> 00:08:10,750 Acting, directing, tap dancing. 129 00:08:12,970 --> 00:08:14,750 Something better than what I'm doing now. 130 00:08:15,760 --> 00:08:19,000 Now, do you think if I really stuck with it and applied myself that I might 131 00:08:19,000 --> 00:08:20,000 become an actor? 132 00:08:20,200 --> 00:08:25,000 Oh, Lamont, it's a very tough business. You know, I mean, it's one thing doing 133 00:08:25,000 --> 00:08:29,280 it like we're doing as a hobby, but to depend on it for a living, oh, I don't 134 00:08:29,280 --> 00:08:31,760 know. I got the talent. I mean, you said so yourself. 135 00:08:32,100 --> 00:08:32,959 Yeah, you do. 136 00:08:32,960 --> 00:08:33,960 And I'm tall enough. 137 00:08:34,220 --> 00:08:35,860 I'm intelligent. I'm good looking. 138 00:08:36,659 --> 00:08:37,659 You're modest. 139 00:08:39,880 --> 00:08:41,640 Right, right. You want to get started? 140 00:08:43,760 --> 00:08:44,840 Come, Del Dimona. 141 00:08:45,640 --> 00:08:49,320 I've been an hour of love of worldly matters to spend with thee. We must obey 142 00:08:49,320 --> 00:08:50,159 the time. 143 00:08:50,160 --> 00:08:51,740 Oh, very good, my lord. 144 00:08:52,080 --> 00:08:56,020 Hey, of course that's very good. That's because I'm talented and I'm sharp and 145 00:08:56,020 --> 00:08:57,020 I'm cool. 146 00:09:03,360 --> 00:09:05,680 What's the matter with you, Bubba? 147 00:09:05,980 --> 00:09:08,780 You've got to be quiet with him. I know we're out here and think we're spying on 148 00:09:08,780 --> 00:09:12,340 him. But we are spying on him. No, we're not. We're just going to find out who 149 00:09:12,340 --> 00:09:13,340 the mystery woman is. 150 00:09:13,930 --> 00:09:17,750 I bet it's that Jackie Warnsby. It better not be. She just married Al 151 00:09:17,910 --> 00:09:18,910 nephew last week. 152 00:09:19,430 --> 00:09:21,690 That explains why she's the mystery woman. 153 00:09:23,830 --> 00:09:25,330 Weepest thou for him to my face? 154 00:09:25,670 --> 00:09:29,550 Oh, banish me, my lord, but kill me not. Down, stump it. 155 00:09:47,020 --> 00:09:50,120 No, but I didn't want to hurt you. Oh, don't worry about that. I'm not fragile. 156 00:09:50,260 --> 00:09:51,260 I won't break. 157 00:09:51,300 --> 00:09:54,540 Well, I mean, don't actually strangle me, but act as though you might. 158 00:09:54,760 --> 00:09:57,400 All right, let's try it again. Whenever you're ready, my lord. 159 00:11:13,200 --> 00:11:15,180 Can't you tell the difference between a real thing and a rehearsal? 160 00:11:16,000 --> 00:11:17,340 A what? A rehearsal. 161 00:11:17,600 --> 00:11:19,300 Something that you practice for a play. 162 00:11:19,600 --> 00:11:20,600 A play? 163 00:11:20,860 --> 00:11:21,860 That's right, a play. 164 00:11:22,420 --> 00:11:25,440 Marilyn is the director of this workshop that I've been attending, and we're 165 00:11:25,440 --> 00:11:26,440 going to put on a play. 166 00:11:26,480 --> 00:11:28,580 Oh, and I hope you'll come and be in the audience. 167 00:11:28,980 --> 00:11:29,980 You're going to have an audience? 168 00:11:30,060 --> 00:11:32,580 Of course there's going to be an audience. Well, you better have the 169 00:11:32,580 --> 00:11:33,580 Guard standing by. 170 00:11:35,840 --> 00:11:36,840 I'm going to go, Fred. 171 00:11:37,080 --> 00:11:40,360 I'm going to make the bar give me something to drink to calm my nerves. 172 00:11:40,360 --> 00:11:42,780 minute, Bubba. Wait a minute. You don't have to go there. You can have a drink 173 00:11:42,780 --> 00:11:46,140 here. Man, you ain't got enough here in this house to drink for me to calm my 174 00:11:46,140 --> 00:11:47,140 nerves. 175 00:11:48,340 --> 00:11:51,000 Lamar, didn't you tell your father about our drama workshop? 176 00:11:51,480 --> 00:11:52,540 He didn't tell me nothing. 177 00:11:52,760 --> 00:11:54,020 Now, about this play. 178 00:11:54,440 --> 00:11:56,300 Didn't you know Jack the Ripper was a white man? 179 00:11:58,340 --> 00:12:01,800 That shows you how much you know. This is one of Shakespeare's most important 180 00:12:01,800 --> 00:12:02,980 plays, Othello. 181 00:12:03,580 --> 00:12:06,820 If you ever took the time to read it, you'd know that Othello was a black man. 182 00:12:07,720 --> 00:12:09,420 Othello? That's right, Othello. 183 00:12:09,820 --> 00:12:11,480 A black man with Italian names? 184 00:12:16,080 --> 00:12:17,080 was Amor. 185 00:12:18,520 --> 00:12:19,520 Amor? 186 00:12:20,160 --> 00:12:21,680 Amor. I know Archie Moore. 187 00:12:23,640 --> 00:12:30,580 Yeah, but see, old fellow Amor sound like he might have been... Do 188 00:12:30,580 --> 00:12:32,440 you want to hear about this or not? 189 00:12:33,140 --> 00:12:36,360 Othello was a black man and he was married to this white woman and he 190 00:12:36,360 --> 00:12:38,340 a cheating on him so he choked her to death. 191 00:12:38,760 --> 00:12:39,960 And you call that a play? 192 00:12:40,800 --> 00:12:42,720 Mr. Sanford, may I say something? 193 00:12:43,260 --> 00:12:47,150 Lamont has been working very... hard at this, and I'll bet you're not aware of 194 00:12:47,150 --> 00:12:49,390 how good he is. Have you ever seen him act? 195 00:12:49,770 --> 00:12:51,610 I've been watching him act all his life. 196 00:12:52,650 --> 00:12:53,650 Like a dummy. 197 00:12:55,110 --> 00:13:00,810 No, I don't have to. Oh, wait a minute, Lamont. Would you do something from the 198 00:13:00,810 --> 00:13:01,810 play for your father? 199 00:13:01,970 --> 00:13:02,970 Well, bye. 200 00:13:03,210 --> 00:13:06,890 Wait, wait, Mr. Sanford. No, I'm not going to do anything for him. He just 201 00:13:06,890 --> 00:13:10,170 laughs. Lamont, you have to get used to this. I mean, your friends and your 202 00:13:10,170 --> 00:13:13,570 family are your worst critics, and if you please them, you can please anybody. 203 00:13:14,190 --> 00:13:15,190 How about it? 204 00:13:16,110 --> 00:13:17,390 Well, all right. 205 00:13:17,670 --> 00:13:21,030 Good. Mr. Sanford, I think you're in for a little surprise. 206 00:13:21,450 --> 00:13:23,250 I think I'm in for a little nausea. 207 00:13:24,190 --> 00:13:27,110 Now, come on over here. Sit down and just watch. 208 00:13:27,930 --> 00:13:29,270 I'll watch, but I don't want to. 209 00:13:31,070 --> 00:13:32,270 Hey, old fella. 210 00:13:33,790 --> 00:13:35,770 Will you take your foot off my chippendale? 211 00:13:41,770 --> 00:13:47,030 when you shall these unlucky deeds relate speak of me as I am nothing 212 00:13:47,030 --> 00:13:53,690 and say besides that in Apollo once where a malignant and 213 00:13:53,690 --> 00:13:58,310 turbaned Turk beat a Venetian and introduced the state I took by the 214 00:13:58,310 --> 00:14:00,830 circumcised dog and smote him 215 00:14:17,930 --> 00:14:19,590 Was this play written by a Jewish fella? 216 00:14:21,810 --> 00:14:23,530 What difference does that make, Pop? 217 00:14:24,070 --> 00:14:27,850 Oh, because, I mean, they go for that kind of stuff, you know what I mean? But 218 00:14:27,850 --> 00:14:30,250 we can take it or leave it, like they did. 219 00:14:31,510 --> 00:14:34,590 When you was born, the doctor said... Pop, what are you talking about? 220 00:14:40,230 --> 00:14:43,810 You take one little word out of the whole speech and you make a big deal 221 00:14:43,810 --> 00:14:44,810 it. 222 00:14:46,920 --> 00:14:49,220 I ain't going to say nothing about that. If you're going to be in a place, use 223 00:14:49,220 --> 00:14:50,700 them kind of words. I don't hear no more of that. 224 00:14:51,460 --> 00:14:53,100 They don't use them kind of words on television. 225 00:14:53,360 --> 00:14:54,560 I'm going to get me a glass of Ripple. 226 00:14:56,660 --> 00:14:58,540 Hey, Marilyn, let's just forget about the rehearsal. 227 00:14:58,780 --> 00:15:01,520 I'm sorry. We'll have to pick another time and another place to rehearse. What 228 00:15:01,520 --> 00:15:02,520 about her place? 229 00:15:02,700 --> 00:15:03,699 What? 230 00:15:03,700 --> 00:15:05,820 If she can come over here, how come you can't go over there? 231 00:15:06,780 --> 00:15:10,440 Pop, Marilyn comes here because the workshop is close by. I mean, it's 232 00:15:10,440 --> 00:15:12,100 for her to come here than to go all the way home. 233 00:15:12,520 --> 00:15:13,580 What's the matter with you, man? 234 00:15:13,820 --> 00:15:14,820 Marilyn's all right. 235 00:15:14,880 --> 00:15:15,880 You live alone? 236 00:15:16,180 --> 00:15:17,460 No, I live with my parents. 237 00:15:17,880 --> 00:15:19,160 Gee, that's why you can't go. 238 00:15:21,620 --> 00:15:22,620 You're wrong, Mr. 239 00:15:22,860 --> 00:15:23,860 Sanford. Where do you live? 240 00:15:24,140 --> 00:15:25,140 Beverly Hills. 241 00:15:25,820 --> 00:15:26,820 Kate Close. 242 00:15:29,940 --> 00:15:32,060 I'm sorry, Mr. Sanford, but you're wrong. 243 00:15:32,340 --> 00:15:35,660 Listen, Lamont is welcome at my house any time. Well, tonight. 244 00:15:35,980 --> 00:15:39,340 Right now, in fact, if he wants to go. Hey, Marilyn, look, you don't have to 245 00:15:39,340 --> 00:15:40,340 prove nothing to him. 246 00:15:40,520 --> 00:15:44,560 Yes, I think that I do. And I'd like to prove it to you, Mr. Sanford. 247 00:15:44,960 --> 00:15:47,620 I'd like for both of you to come to my house right now. 248 00:15:47,860 --> 00:15:51,720 Look, Marilyn, he'd only mess up the rehearsal there just like he did here. 249 00:15:52,140 --> 00:15:55,000 The only way that I'll go is that if he sits and waits out in the truck. 250 00:15:56,220 --> 00:15:59,220 Come on, you can't have your father wait out in the street. 251 00:15:59,480 --> 00:16:00,239 Yes, I can. 252 00:16:00,240 --> 00:16:01,540 Hey, listen, it's okay. 253 00:16:01,820 --> 00:16:05,780 I don't mind sitting in the truck as long as you give me a camera so I can 254 00:16:05,780 --> 00:16:09,420 the expression off that Beverly Hills policeman's face when I tell him I'm 255 00:16:09,420 --> 00:16:12,620 sitting in the truck waiting on my son who's inside choking a white woman to 256 00:16:12,620 --> 00:16:13,620 death. 257 00:16:21,520 --> 00:16:23,420 Now, you sure my truck gonna be safe out there? 258 00:16:25,560 --> 00:16:29,280 What's the matter with you, Pop? This is Beverly Hills, man. So what? They steal 259 00:16:29,280 --> 00:16:30,280 in Beverly Hills. 260 00:16:30,560 --> 00:16:32,560 Now, listen, just make yourselves at home. 261 00:16:32,860 --> 00:16:35,100 Say, this sure is a nice place you got here, ma 'am. Thank you. 262 00:16:35,440 --> 00:16:37,700 First, can I get you anything, something to drink? 263 00:16:38,020 --> 00:16:40,800 First, you better get your mother and father, because all of us might need a 264 00:16:40,800 --> 00:16:41,800 drink. 265 00:16:45,930 --> 00:16:46,930 I know what you're thinking, Mr. 266 00:16:47,010 --> 00:16:50,930 Sanford, and I want you to come back when they are here because I'd really 267 00:16:50,930 --> 00:16:51,930 for you to meet them. 268 00:16:51,970 --> 00:16:52,970 Mm -hmm. 269 00:16:53,190 --> 00:16:55,670 Excuse me, I'm going to see what's in the refrigerator and then we can get 270 00:16:55,670 --> 00:16:58,430 started. Look, Mal, listen, don't, don't, I don't want you to go to any 271 00:16:58,750 --> 00:17:01,070 Hey, you go do some bothering, honey. Go ahead and bother them. 272 00:17:02,590 --> 00:17:03,890 Okay, I'll be right back. 273 00:17:08,829 --> 00:17:10,150 See, you know what's wrong with this house? 274 00:17:11,050 --> 00:17:12,109 It ain't got no smell. 275 00:17:24,619 --> 00:17:27,800 the smell of frying coming out the kitchen. You know what I mean? Smell 276 00:17:28,840 --> 00:17:30,320 Pure white. Smell like lettuce. 277 00:17:32,440 --> 00:17:33,760 I found some fruit. 278 00:17:34,160 --> 00:17:35,640 Would you like some, Mr. Sanford? 279 00:17:36,020 --> 00:17:38,520 Yeah, I'll take it, won't I? Yeah, I'll take it. Yeah, I'll take it all. 280 00:17:41,940 --> 00:17:43,000 Lamont, should we get started? 281 00:17:43,200 --> 00:17:44,760 Oh, yeah. You ready? Hey, wait a minute, son. 282 00:17:45,260 --> 00:17:48,880 Y 'all are not going to do that play about the... about the dog that had the 283 00:17:48,880 --> 00:17:49,880 operation. 284 00:17:51,790 --> 00:17:54,530 That's right, and if you don't want to hear it, she can just go take a walk. 285 00:17:55,070 --> 00:17:56,070 Oh, Mr. 286 00:17:56,130 --> 00:17:59,530 Sanford, listen, now, maybe you'd like to watch some television. There's a set 287 00:17:59,530 --> 00:18:02,270 down the hall, or there's one out in the kitchen. Just help yourself. Hey, 288 00:18:02,330 --> 00:18:05,430 Marilyn, don't worry about him. Let's just get tied, okay? Okay. 289 00:18:10,010 --> 00:18:11,010 Ready? Yeah. 290 00:18:13,230 --> 00:18:14,230 Who's there? 291 00:18:14,670 --> 00:18:16,650 Othello? Aye, Desdemona. 292 00:18:17,670 --> 00:18:19,290 Will you come to bed, my lord? 293 00:18:19,550 --> 00:18:20,550 Don't do that. 294 00:18:30,860 --> 00:18:32,300 Have you prayed tonight, Desdemona? 295 00:18:32,560 --> 00:18:33,560 Aye, my lord. 296 00:18:34,080 --> 00:18:38,600 If you bethink yourself of any crime unreconciled as yet to heaven and great 297 00:18:38,600 --> 00:18:39,640 solicit for it straight. 298 00:18:40,380 --> 00:18:43,300 Alas, my lord, what may I mean by that? 299 00:18:43,520 --> 00:18:45,020 Wait, wait, let me go back. 300 00:18:45,720 --> 00:18:47,720 Have you did it? Okay. 301 00:18:49,880 --> 00:18:53,060 I have but an hour of love of worldly matters to spend with you. 302 00:18:53,300 --> 00:18:54,320 You must obey the time. 303 00:18:54,920 --> 00:18:55,920 Very good. 304 00:18:58,960 --> 00:19:00,320 This is where the TV is. 305 00:19:17,460 --> 00:19:21,680 Hey, I thought you folks were going to be away for the weekend. 306 00:19:22,480 --> 00:19:24,780 I just came for the TV. 307 00:19:28,780 --> 00:19:31,160 Take the television. Take anything you want. 308 00:19:31,580 --> 00:19:32,700 Catherine, give him your rings. 309 00:19:32,980 --> 00:19:34,080 Just don't harm him. 310 00:19:34,580 --> 00:19:35,580 Don't harm you? 311 00:19:36,720 --> 00:19:38,300 These people must be crazy. 312 00:20:23,980 --> 00:20:25,820 Sanford, and he's in my drama workshop. 313 00:20:26,340 --> 00:20:28,500 Uh, hello, Mrs. O 'Neil. Mr. O 'Neil. 314 00:20:29,040 --> 00:20:31,300 Uh, I'm sorry we scared you like that. 315 00:20:31,520 --> 00:20:35,760 And this is his father, Mr. Fred Sanford. Yeah, I met him in the bedroom. 316 00:20:39,080 --> 00:20:43,720 Marilyn, don't ever do that to us again. You scared the life out of us. Oh, 317 00:20:43,760 --> 00:20:47,540 Mother, really, you should have understood it was just play acting. 318 00:20:47,740 --> 00:20:48,739 Play acting? 319 00:20:48,740 --> 00:20:51,020 How can we tell he wasn't really stealing the TV? 320 00:20:51,840 --> 00:20:55,180 First a strange man walks into our bedroom, and then this? 321 00:20:55,380 --> 00:20:59,020 What is this you're talking about? A strange man? Who's a strange man? I 322 00:20:59,020 --> 00:21:00,020 no strange man. 323 00:21:00,400 --> 00:21:04,700 Hey, Pop, look, he didn't mean nothing by that. To him, you are a strange man. 324 00:21:04,940 --> 00:21:07,400 Yeah, and if he come to watch, he'll be a strange man. 325 00:21:09,480 --> 00:21:11,440 I'll bet you anything he's a bigot. 326 00:21:11,860 --> 00:21:15,800 He certainly is not a bigot. We both belong to the Urban League. 327 00:21:21,350 --> 00:21:25,610 why Mr. Sanford was offended when you found him and his son in your house, you 328 00:21:25,610 --> 00:21:29,490 overreacted. Overreacted? What are we supposed to do when a strange man walks 329 00:21:29,490 --> 00:21:31,450 into our bedroom? There you go again. That's right. 330 00:21:32,370 --> 00:21:33,370 Dad, 331 00:21:35,070 --> 00:21:38,210 what I'm trying to say is that in the case of Mr. 332 00:21:38,450 --> 00:21:42,970 Sanford, you overreacted simply because he... Wait a minute, honey. Let me 333 00:21:42,970 --> 00:21:43,970 explain him. 334 00:21:44,290 --> 00:21:45,290 What happened? 335 00:21:45,570 --> 00:21:49,250 See, now, you've had other people make a mistake and come in your bedroom 336 00:21:49,250 --> 00:21:51,380 before. Say, like your daughter's friends. 337 00:21:51,700 --> 00:21:54,800 Yes, it's happened. It's happened before when I've had people in the house. 338 00:21:55,100 --> 00:21:58,280 And did you say that they were thieves and crooks and was going to do you some 339 00:21:58,280 --> 00:22:02,120 harm? Well, I can't recall what I said. No, no, you didn't. But as soon as you 340 00:22:02,120 --> 00:22:05,700 saw me, who you call a strange man, right away, you think the worst. 341 00:22:06,040 --> 00:22:08,600 Yes, I suppose I did. And that's why Mr. 342 00:22:08,860 --> 00:22:09,980 Sanford was insulted. 343 00:22:10,180 --> 00:22:13,960 When you saw him, you immediately assumed that he was after something. 344 00:22:14,460 --> 00:22:15,460 Yeah. 345 00:22:43,620 --> 00:22:46,520 prejudice. Maybe I did overreact a little. 346 00:22:46,740 --> 00:22:51,200 Yeah, you admit it now, don't you? Yeah. Yeah, you admit it. See, you found out 347 00:22:51,200 --> 00:22:52,400 something about yourself tonight. 348 00:22:52,780 --> 00:22:53,860 Yes, I suppose I did. 349 00:22:54,080 --> 00:22:55,080 Sure you did. 350 00:22:55,340 --> 00:23:00,040 And next time you find a black man in your bedroom looking for the TV, don't 351 00:23:00,040 --> 00:23:01,040 uptight. 352 00:23:03,120 --> 00:23:07,100 Don't do that. And another thing, get some smell in this house. 353 00:23:15,400 --> 00:23:19,540 Sanford, why don't we all finish this off with a nightcap? Yes, please. 354 00:23:19,840 --> 00:23:20,900 Stay and have something. 355 00:23:21,380 --> 00:23:23,180 Would you, Mr. Sanford? Lamont? 356 00:23:23,380 --> 00:23:25,480 Well, it's okay with me if it's all right with Bob. 357 00:23:25,740 --> 00:23:27,520 Oh, you don't call me a strange man. 358 00:23:27,740 --> 00:23:28,900 Oh, that's all forgotten. 359 00:23:29,200 --> 00:23:33,120 All forgotten. Come on, Sanford. Name your poison. What do you have? 360 00:23:33,420 --> 00:23:34,880 Give me a badge of Ripple. 361 00:23:35,960 --> 00:23:37,020 Ripple? What's that? 362 00:23:37,480 --> 00:23:39,220 That's the national wine of what? 363 00:23:40,820 --> 00:23:43,320 Well, I don't have any Ripple, but... 364 00:23:43,820 --> 00:23:48,320 Why don't you try a little of this special sherry? This is special Madeira 365 00:23:48,320 --> 00:23:50,860 the estate Blandy, 1860. 366 00:23:52,360 --> 00:23:53,360 Mmm. 367 00:23:55,240 --> 00:23:56,240 Ah! 368 00:23:57,300 --> 00:24:01,060 Oh, man, it tastes like shoe polish. 369 00:24:02,320 --> 00:24:06,060 What do you mean, shoe polish? Shoe polish, Griffin, Kiwi, Esquire. 370 00:24:07,440 --> 00:24:09,840 This stuff costs $30 a bottle. 371 00:24:10,040 --> 00:24:12,860 Well, you ought to go back and get $29 and get you some real work. 372 00:24:14,350 --> 00:24:17,670 See, you people don't know what's good. Uh -huh. You people. 373 00:24:18,070 --> 00:24:19,590 What do you mean, you people? 374 00:24:19,870 --> 00:24:20,930 You're prejudiced. 375 00:24:21,130 --> 00:24:22,550 You're the one who's a bigot. 376 00:24:23,210 --> 00:24:24,590 Who's a bigot, bigot? 377 00:24:25,930 --> 00:24:27,210 Put that line down. 378 00:24:29,610 --> 00:24:30,130 Sun 379 00:24:30,130 --> 00:24:38,670 for 380 00:24:38,670 --> 00:24:41,690 the Sun is recorded on tape for a live studio audience.